Equipment

CONSOLE:
API 3224
ProTools HDX system
Studer A-827 2″ 24-track tape machine w/remote
Dangerous Music 2-bus 16ch summing mixer

MONITORING SYSTEMS:
Genelecs 1031A’s
T.O.C. Studio Monitors
Yamaha NS-10M’s
KRK 10s sub
Dangerous Music Monitor Controller w/remote

DYNAMICS:
2x DBX 160X Limiters
2x UREI LA-3A Limiters
2x UREI 1176LN Limiters
1x SSL X-Logic Stereo bus compressor
2x Standard Audio LEVEL OR
1x SPL Transient Designer 4-channel

MIC PREAMPS and EQS:
4x Neve 1066 Mic Pre Amp
4x Focusrite RED 1 Mic Pre Amps
2x Telefunken V-72 Pre Amp
2x MAAG EQ 4
2x MAAG PREQ 4FX:
AKG BX-10 Spring Reverb
Lexicon PCM60 Digital Reverb
Roland SRE-555 Chorus Echo
Yamaha E1005 Delay

BACKLINE:
Yamaha C-7 Grand Piano
Yamaha DX7 synth
Krumar Orchestrator
Hammond Organ with Leslie
Rhodes Mark 1
Fender Bandmaster guitar head
Fender 2×12 guitar cabinet
Fender 2×15 guitar cabinet
Fender “Solid State” 2×8″ + 2×10″ upright guitar cabinet
Vox AC4 guitar amp
Peavey Triple X guitar head and 4×12 cabinet

MICROPHONES:
2x AKG C414 EB
1x AKG D112
2x Crown PZM
1x Neumann U67
2x Neumann U87
2x Neumann KM184
1x Royer R-121
3x Sennheiser MD421
1x Sennheiser E602
2x Shure SM7
4x Shure SM57
2x Shure SM94
1x Shure SM81
1x Shure Bullet Mic
2x Coles 4038 Ribbon